Stephen Mager: Composer -- Conductor

Monthly Archives: February 2015

On Tonality and Atonality

Experience suggests that atonal music, including that of Schoenberg, Webern, and especially Berg, derives its effect precisely from its relationship to tonality, whether we hear anything tonal in the immediate context, or not. Tonality is one of the great, elemental human inventions, like mathematics or written language. It is not simply an accident of history, [...]

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Observations on George Rochberg and deliberate anachronism

On hearing George Rochberg’s String Quartet # 3: The tonal portions of his quartets are very beautiful although, I suspect, not-quite-good-enough for Mahler. On second hearing, the music comes across more effectively, but even more Mahlerian, including some near-quotes from Mahler 9. In addition, the string quartet medium evokes aspects of early Schönberg—Verklärte Nacht, for instance. I am encouraged by Rochberg’s [...]

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On musical rhetoric – an historical analogy

Here is an historical assessment of literature and rhetoric in the late Roman Empire. It provides an interesting analogue with the state of  serious” music and art in our own time. For the word “conventional,” substitute “academic.” For “gentleman,” substitute “contemporary composer.” For the names of Latin authors, substitute “Elliott Carter,” “Milton Babbitt,” or whomever [...]

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